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the artists' use of parody shows how the products of the imagination occasion a series of derivatives not unlike – and often rigourously identical to – the paratext
libris Violet Ormonde Matthews with ink inscription dated 1899 to front of vol I
(23 x 17 cms)
xii + 498 + 32 publisher's catalogue
From the library of Jan Pienkowski
Un Autre Monde vienna the artists' use of parodyTransformations, Visions, Incarnations, Ascensions, Locomotions, Explorations, Peregrinations, Excursions, Stations, Cosmogonies, Fantasmagories, Reveries, Folatreries, Faceties, Lubies, Metamorphoses, Zoomorphoses, Lithomorphoses, Metempsycoses, Apotheoses, et Autres Choses Paris: H. Fournier, 1844. First Edition. Post 8vo (10 x 8 ins); pp [iv] + [296] with 42 plates, 35 of which are hand coloured (some only partially), one of the colour plates loose
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