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we can perceive a tint of hope in the lightening sky and the people’s progress down the road
the composition draws you into the moment - where shadows drift across facades
Hand-embellished with diamond dust
Magnus Gjoen's print
Study for Autumn Fields by Mark Demsteader is a compelling oil on board that captures the artist’s signature balance of strength and softness
Untitled, 1986 Between Distance and Desire we can perceive a tintTucker's gestural marks carry the same physical weight and presence associated with his sculpture. The sepia palette deepens the sense of antiquity and bodily warmth, while the loose, searching lines suggest a figure caught mid movement, neither fully human nor entirely abstract.
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