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a physical and psychological response brought on by extreme emotions
made at the artist's studio and signed and numbered by the artist
When first exhibited at the Royal Academy in 1876 On The Thames (or How Happy I Could Be With Either) was hugely controversial
framed by architectural devices that create ever-shifting spaces
culture-inspired sculptures and installations that incorporate references from the worlds of art
Barbara Hepworth, Genesis, 1969 - A3 Print Landscape a physical and psychological responseBarbara Hepworth, Genesis, 1969 In Genesis, two circles are placed in relation to one another, like planets hanging in space, while the title alludes to the biblical story of the creation of the universe. At this time space exploration was in the public consciousness, and Hepworth noted the year this was made: Weve all assimilated a great deal of scientific discovery the sensation of space, as well as a new conception of the universe. Lithograph on