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the piece bridges the visual language of mid-century travel posters with contemporary minimalism
a small act of beauty in an unsentimental setting
Painted between 1912 and 1913
Mucha's characteristic warm palette of gold
each ring shifting through warm oranges
Bairei hyakucho gafu. Ten Pl.34 by Kono Bairei Size:M - 50 x 70cm the piece bridges the visualPlate 34 stands apart in the Hundred Birds album for the density of its composition: branch work occupies more of the frame than usual, and the bird is partially obscured by foliage, its form revealed in sections rather than fully exposed. This layering introduces a sense of depth unusual for the series, the subject inhabiting its environment rather than floating before it. Bairei's ink modulation manages the added complexity without losing the
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